Vitality and embodiment: The naked human body entails more than sensuality and should not be viewed as merely a lust object to be exploited for sexual gratification. And they are to be found in any sort of workmanship, such as painting, weaving, embroidery, architecture, the making of furniture; and also in the human frame and in all the works of nature:
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The interplay between womanhood and the creation of the beauty of life. Aesthetics in theory formation: In the RepublicPlato maintained that ugliness understood as a lack of harmony was the opposite of the goodness of the soul [ 17 ]. Beauty implies more than physicality.
A stereometric approach firmly opposes any disregard of the embodied dimension of man's special status. For Leonardo da Vinci, beauty was the moment of mystical encounter der Augenblick des Mysteriumsand for Michelangelo, it was the interrelatedness of the parts within the harmonious whole of embodiment; embodiment as determined by the principle of torment and moral suffering [ 36 ]. Beautifying the human body implies the following: Through the impact of the media, the body as a social text becomes a symbolic stage upon which the drama of socialisation is enacted, and bodily adornment becomes the language through which the social self is expressed in its search for meaning [ 41 ].
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